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      <image:title>Selected Works</image:title>
      <image:caption>Mauve (2022) for String Quartet [PRCS, Vale of Glamorgan Festival] CHAMBER</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Nocturne (2022) for Violin and Cello [‘Bargaining’ arrangement] CHAMBER</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Ravelled (2021) for Cello and Piano - ca. 6’ [Illuminate Womens’ Music] CHAMBER</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>The Song of the Phoenix (2015) for Accordion, Violin and Cello - ca. 9’ [Sound and Music/Riot Ensemble] CHAMBER</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>The Hoy Sea Woman (2013) for Clarinet in Bb, Violin, Viola, Cello and Double Bass - ca. 5’ [Hebrides Ensemble] CHAMBER</image:caption>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>Esse indubitatamente son Donne, inspired by Renaissance composer Raffaella Aleotti (2022) for Double Choir - ca. 7’ [Marian Consort] CHORAL</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>When to her lute (2013) for SATB - ca.3’ CHORAL</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Clara (2019) for Double Choir and Harp - ca. 6’ [Ex Urbe, Benjamin Hamilton, Angelina Egerton, Making Music, Sound and Music] CHORAL</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Basho’s Journey (2015) for Double Choir - ca. 7’ CHORAL</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Finding Jaell (2024) Fixed Media [05:38] ELECTROACOUSTIC/SOUND ART</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Flat as the palm (2024), Fixed Media, Collaboration with Lou Barnell [05:00] Route Two (2022), Installation Fixed Media, Collaboration with Joel Levack [04:53] ELECTROACOUSTIC/SOUND ART</image:caption>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>Ruins (2019) Fixed Media [04:32] ELECTROACOUSTIC/SOUND ART</image:caption>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>Ruins (2021) Online sound art installation [funded by Jerwood Arts and Arts Council England] ELECTROACOUSTIC/SOUND ART</image:caption>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>The Stormy Petrel (2024) for Mezzo and Cello - ca. 9’ OPERA/MUSIC THEATRE</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>Syrenka (2018) for Narrator and Chamber Ensemble - ca. 11’ OPERA/MUSIC THEATRE</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>The Girl Behind the Glass (2017) for two Actor-Singers, Cello and Track - ca. 45’ [PRS Women Make Music] TW: sexual assault recovery, mental health issues. Visit: www.rsvporg.co.uk OPERA/MUSIC THEATRE</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>That’s Just Life Isn’t It for Bass (2017) for Bass-Baritone, Violin and Double Bass - ca. 5’ [Birmingham Opera Company] TW: homelessness, mental health issues OPERA/MUSIC THEATRE</image:caption>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>Strings Bilateral (2022) for String Orchestra - ca. 4’ [City of Birmingham Symphony Orchestra] ORCHESTRA</image:caption>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>When the rocks meet the sea (2017) for Symphonic Orchestra - ca.6’ [Royal Birmingham Conservatoire Symphony Orchestra] ORCHESTRA</image:caption>
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      <image:title>Selected Works</image:title>
      <image:caption>A Body (2024) for Voice and Piano TW: mental health, recovery SONGWRITING</image:caption>
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      <image:title>Selected Works</image:title>
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    <image:image>
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      <image:title>Selected Works</image:title>
      <image:caption>The Girl Behind the Glass (2017) for Voice and Piano - ca.3’ TW: sexual assault recovery SONGWRITING</image:caption>
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    <image:image>
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      <image:caption>Innisfree - dedicated to Marion Jones (2024), on Lilith Ensemble’s debut album “Works by Female Composers”, Lontano Records</image:caption>
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      <image:caption>Esse indubitatamente son Donne - inspired by Renaissance composer Raffaella Aleotti (2023), on Marion Consort’s album “ A Winged Woman”, Linn Records</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6130a5f21d94ea11d8d4b8f2/92878f1e-3313-4379-b3f4-acd268344306/CKD%2B724%2Bcover%2B3000x3000.jpg</image:loc>
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      <image:caption>Esse indubitatamente son Donne - inspired by Renaissance composer Raffaella Aleotti (2023), on Marion Consort’s album “ A Winged Woman”, Linn Records</image:caption>
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